Volume 45

Cover of Volume 45 of Perspectives

Front Matter

 

Articles

 

Special Features 

 

Book Reviews

Book cover for Imperial Apocalypse: The Great War and the Destruction of the Russian Empire by Joshua A. Sanborn. The beige cover features the title in large green lettering above a sepia-toned historical photograph of soldiers and horses moving across a battlefield.   Book cover for Mexican Chicago: Race, Identity, and Nation, 1916–39 by Gabriela F. Arredondo. The cover features bold red and blue title text above a colorful geometric textile pattern, with a collage of black-and-white historical portraits of Mexican men, women, and children arranged across the lower half.   Book cover for Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge by Erica Armstrong Dunbar. The cover resembles an aged parchment document held by hands, with portraits of George and Martha Washington on either side and the title in large red lettering.

Book cover for Scraping By: Wage Labor, Slavery, and Survival in Early Baltimore by Seth Rockman. The cover features the title in yellow against a dark background, excerpts from a historical newspaper in the center, and a black-and-white illustration of Baltimore’s waterfront and harbor at the bottom.   Book cover for Deco Body, Deco City: Female Spectacle & Modernity in Mexico City, 1900–1939 by Ageeth Sluis. The cover features an Art Deco-style illustration of a fashionable woman in a red hat and top reclining against sweeping red and gray shapes, with thin curved lines in the background.   Book cover for Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol J. Clover. The cover features a dark blue-green background with the title in large white lettering and a shadowy figure holding a chainsaw at the center

Book cover for Big History and the Future of Humanity by Fred Spier. The cover has a black background with the title in large gray and white lettering, a small image of Earth floating in space, and the curved gray surface of the Moon along the bottom.   Book cover for The Second Coming of the KKK: The Ku Klux Klan of the 1920s and the American Political Tradition by Linda Gordon. The cover features bold red title text above a black-and-white historical photograph of Ku Klux Klan members in white robes and pointed hoods marching toward the U.S. Capitol.   Book cover for The Making of a Patriot: Benjamin Franklin at the Cockpit by Sheila L. Skemp. The cover features a historical painting of Benjamin Franklin standing before a formally dressed group of men in an ornate interior, with the title in large white and gold lettering above.

Book cover for Receive Our Memories: The Letters of Lorena, 1910–1952 by José Orozco. The cover features a brown-and-cream design with a black-and-white illustration of several people gathered around a seated figure, with the title prominently displayed above.   Book cover for Rebel Mexico: Student Unrest and Authoritarian Political Culture During the Long Sixties by Jaime M. Pensado. The mostly white cover features the title in red and black above a black-and-white historical photograph of a military tank surrounded by people in an urban street.   Book cover for Writing the Revolution: A French Woman’s History in Letters by Lindsay A. H. Parker. The cream-colored cover features an illustration of three women in period clothing—two in colorful dresses and one in black—against a decorative floral background.

Book cover for The Other Slavery: The Uncovered Story of Indian Enslavement in America by Andrés Reséndez. The cover features a sweeping desert landscape beneath a cloudy blue sky, with a winding path leading through reddish-brown terrain and distant rock formations.   Book cover for In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles by Jerry González. The pale green cover features a tilted black-and-white photograph of a family posing outdoors in a suburban neighborhood, with the title in black and bright red lettering above.   Book cover for Creatures of Empire: How Domestic Animals Transformed Early America by Virginia DeJohn Anderson. The dark brown cover features the title in large cream lettering above a historical painting of cattle, sheep, and other livestock gathered in a rural landscape.

 

Film Reviews

The Post

LA 92

 

Recognition and Awards