Definitions:
Use of University
Facilities
According to Administrative
Procedure 505
http://www.calstatela.edu/univ/admfin/procedures/505/505.pdf use of university
facilities is defined in the following ways:
4.1. Use--University
facilities are provided primarily for the purpose of conducting the
Use
of University facilities is normally granted in the following order:
4.1.1. The regular University instructional program and
related administrative
4.1.2. The broad University academic program, e.g., drama and
musical programs,
4.1.3. Activities not directly related to the academic program, but
sponsored by
4.1.4. Events concerned with
professional, cultural, or recreational phases of campus
4.1.5. University co-sponsored
activities.
4.1.6. Activities sponsored by
off-campus organizations.
4.2. Except where noted, these procedures apply
to University facilities. The
University-Student Union, Luckman
Fine Arts Complex, Golden Eagle Building, Housing, and
INSTRUCTIONAL EVENTS
5.1 Instructional Events--Any event that is
part of or is directly related to the curriculum
The correlation between
the Use of University Facilities and the description of Instructional Events in
the mission of A&L ProductionS helps to begin to
establish a collaborative and cooperative working relationship between contributing
Professional Staff and Faculty, including all creative personnel including
visiting Artists, concert and production “directors”
ROLES
FACULTY: “Instructional
Events” are within the appropriate domain of the faculty and thus require
a faculty member’s supervision of the “instructional” component of the
activity.
· Faculty directors should be
present during all stages of an instructional event for which they are assigned
within a performance season or the execution of an instructional/teaching
assignment. This includes but is
not limited to
instructional/staged/lecture/production/performance/recital activities
in the performance venues under the supervision and direction of the College of
Arts and Letters for concert, musical, operatic, theatrical, and dance events.
·
All stages of the instructional event will
include casting, rehearsals (including all technical and rehearsals) and the
full run of the show with audience.
·
An engaged presence by faculty ensures the
supervision of the complete student experience and fulfills the instructional
role of the faculty member through fruition of the staged experience. The instructional and supervisory role
responsibilities reside with the faculty/instructor of record or appropriate
faculty proxy.
· Artistic Directing Faculty, (a term used only to distinguish faculty who are directing a show/event, but who are not formerly considered in the A&L Productions Workgroup) lead the artistic decisions of their own production. Their voice and vision will guide the processes of production, within the practical constraints of safety, budget and standards of technical execution.
·
Production/Technical Support Faculty are members of
the A&L Productions unit because they have particular academic training and
professional experiences in the areas of their operations.
·
Production/Technical Support Faculty engage both
an advisory role to Technical Staff and will serve in appropriate assigned roles
for the execution of instructional and practical aspects of the A&L Productions
operation.
TECHNICAL STAFF: “Use of University Facilities,” including all activities that use performance facilities and/or equipment is in
the appropriate domain and requires supervision by professional staff.
·
Technical Staff should be present
during the primary stages of an instructional event within designated
performance venues for which they are assigned within a performance season or which
is part of support for an instructional/teaching activity. This includes but is not limited to instructional/
staged/ lecture/
production/performance/recital activities in the performance
venues under the supervision and direction of the College of Arts and Letters
for concert, musical, operatic, theatrical, and dance events.
Efforts will be
made in scheduling Technical Staff hours to align with the operating processes
of production to avoid excessive cost to any college sponsored instructional
event.
Efforts will
also be made to train graduate level (e.g. M.A. and MFA) students to serve as facility
or stage managers, production or technical assistants who would be authorized
to monitor spaces during hours that the formal Technical Staff may be unavailable,
thereby contributing to the professional development of graduate students and
defraying production costs.
·
All stages of the instructional event will
include casting, rehearsal and the full run of the show with audience.
·
Technical Staff are primarily charged
with the use, care, maintenance and immediate supervision of all equipment in
the performance venues.
·
Such engaged presence ensures the execution of technical duties to the specifications of
the faculty director and creative team within reasonable time and budget
constraints, as well as the safety of the participants, the audience and the performance
or support facilities.
·
Technical Staff execute and work
closely with assigned directors, designers and faculty to build and construct
all aspects of technical theatre support for all Arts and Letters
sponsored/approved productions in performance venues.
·
All Technical Staff work orders
and assignments (hourly, daily, weekly, monthly) will defer to immediate
operational needs of A&L Productions as determined by their regular, immediate
staff supervisor. All new assignments shall be assigned to Technical Staff
by/through their regular, immediate staff supervisor.
Faculty monitor
the instructional component of all production activities while the Technical Staff execute and monitor the technical craft, equipment, supplies and
performance venues at large. Technical
Staff are engaged in the supervision of students in the shop, and supports a
student work force of students learning technical theatre. The combination of
the these efforts helps to fulfill the mission of the Department of Music,
Theatre, Dance, the College of Arts and Letters, and the university in ways
that heighten the educational experience of students while providing a safe and
professional environment.
Whereas
there are spaces within the College of Arts and Letters that have dual purposes
(e.g. MUS 115, MUS 149 and MUS 101) the primary use of the space at any given time
will dictate the need to have the co-presence of faculty and staff
representation; such determination should be based on the overall use of
technology, equipment, and resources normally under the supervision of the
Professional Staff (e.g. in the
Music Hall and State Playhouse, the technical support equipment requires
additional expertise when the nature of the activity moves from a classroom
instructional moment using the teacher’s console (in the Music Hall) or a work light
rehearsal (in the Playhouse) into an event that includes staging, lights, audio
support, and/or audience management.) Exceptions can be made in order to
facilitate the ease and execution of the engagement, but never at the cost of
safety and equipment operations.
All other
activities that are not “instructional events” directly tied to coursework and
particular faculty-- as a required activity such as cultural activities, club
sponsored activities, guest recitals, poetry readings, film screenings, certain
concerts and festivals, college and university events could be supervised
solely by support staff, even though many would continue to have department
sponsor presence as well.
NOTE: The Performing Arts Facilities
Coordinator will work with both internal and external constituents in
scheduling venues—working with the University Facilities Coordinator as
appropriate for external clients. All previous priorities will be given in the use of university
facilities as per Administrative Procedure 505). All funds garnered through external contracts will be
appropriately processed through University policies and procedures with
remaining revenues deposited in appropriate A&L PTS accounts for facility
maintenance, and the discretion of the Dean in consultation with the Chair of
MTD.
COMPOSITION OF A&L Productions
The Arts and
Letters Productions unit is composed of Technical Staff
hired to work in the technical areas of scenic, lighting, sound, and costume
construction/support (as these individual positions and services are required
and provided); as well as Production/Technical Support Faculty, who have or
represent technical support expertise, in the Department of Music, Theatre,
Dance--who are full-time tenure track faculty with academic and professional
experiences in their particular areas. There is at least one representative from each area in the Department of
Music, Theatre and Dance.
Decisions
are made cooperatively and through consensus whenever possible; a majority rule
decision-making process is never acceptable—especially if the decision is
intended to override the professional opinions of either the Technical Staff or
the Production/ Technical Support Faculty.
RELATIONSHIP
The
relationship between Technical Staff and Production/Technical Support Faculty in A&L Productions is
essentially complex, yet simplistic in its basic orientation. The following
principles apply:
·
The relationship is one of mutual
respect for the expertise and the function that each (faculty and staff member)
performs in the overall instructional experience of students and fulfilling the
mission of MTD and the college.
·
The relationship is collaborative,
transparent, and cordial in nature with the creative team in order for all to
contribute to a series of successful, educationally grounded and enriching events
for students, the university community, and invited audiences.
·
The relationship is grounded in
the acknowledgement that the role of the Faculty (Production/Technical Support Faculty
in Productions and the Artistic Directing Faculty of a particular production) works
with the Technical Staff in the execution of a particular set of tasks to
fulfill the goals of the instructional event with the acknowledgment that the
relationship is collaborative not supervisory.
·
The relationship is not
hierarchical; the Production/Technical Support Faculty in A&L Productions are not
elevated above staff, and Professional Staff do not take orders from
Faculty—instead the two work towards common goals, with mutually
beneficial outcomes.
·
Each party in the creative
endeavor should work to provide all participants with the skills, knowledge,
and supplies to empower student success.
By virtue of our joint commitments to ethical
and professional behaviors, all faculty and staff will be committed to the
highest standards of professionalism and excellence—while modeling and
encouraging that behavior in students.
A&L Productions as a unit reports directly to the
Office of the Dean. The Staff Technical Director works to finalize all
decisions relative to Productions through a direct
reporting line to the Dean and a dotted line relationship with the Chair,
Department of Music Theatre, Dance.
A&L PRODUCTIONS
CALIFORNIA STATE UNIVERSITY, LOS ANGELES
5151 State University Drive, Los Angeles, CA 90032
Office: Theatre Arts Building, TA-110
Phone: 323-343-4133 Fax: 323-343-5565
Email: pts@cslanet.calstatela.edu
