INDEX OF RESEARCH PAPERS
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Authentic and Socially Relevant, Transformative Performance Practice: Multidimensional Presentation in Choral Music
by Janine Dexter
California State University, Los Angeles
COMMON MISCONCEPTIONS IN THE PERFORMANCE OF IGOR STRAVINSKY’S MASS FOR MIXED CHORUS AND DOUBLE WIND QUINTET
by Garson Olivieri, July 2007
California State University, Los Angeles
MANNING BRITTEN’S A BOY WAS BORN: BOYS’, GIRLS’ OR MIXED CHILDREN’S CHOIR?
by Will Skaff, July 2006
California State University, Los Angeles
ABSOLUTIST CREED VS. NOSTALGIA: STRAVINSKY’S SETTING OF FOUR RUSSIAN PEASANT SONGS
by Desiree Fowler, August 2009
California State University, Los Angeles
"WHEN DAVID HEARD": THREE SETTINGS
by John Hamilton, August 2005
California State University, Los Angeles
THE EFFECTS OF THE REVOLUTION ON THE ORGAN MASS IN FRANCE
by Laurie Barrett-Benson
California State University, Los Angeles
TRADITION AND INDIVIDUAL STYLE IN THE MOTETS OF J.S. BACH
by Natalie Beck
California State University, Los Angeles
THE SPIRIT OF FOLK SONG IN THE LIEDER OF JOHANNES BRAHMS
by Sally Horgan
California State University, Los Angeles
RICHARD LERT'S EDITIONS OF SAUL: A ROMANTIC PERSPECTIVE
by Robert McCormac
California State University, Los Angeles
MUSICAL EXPRESSION IN SELECTED TEXTS FROM BENJAMIN BRITTEN'S WAR REQUIEM
by Ruth Ballenger
California State University, Los Angeles
AUTOBIOGRAPHICAL CONSTRUCTIONS IN JOSQUIN'S MOTET ILLIBATA DEI VIRGO NUTRIX: EVIDENCT FOR A LATER DATING
by Leslie Clutterham
California State University, Los Angeles
A CHRONOLOGY OF THE TREBLE VOICE IN CHORAL ENSEMBLES (England - Part I)
by Leslie Clutterham
California State University, Los Angeles
STYLE ANALYSIS: A COMPARISON OF BYRD'S AVE VERUM CORPUS WITH HIS SACRED VOCAL POLYPHONY VIA A QUADRANT FRAMEWORK ANALYSIS
by Leslie Clutterham
California State University Los Angeles
BRAHMS' CHORAL MUSIC AND HIS JOURNEY TO CONTRAPUNTAL TRANSCENDENCE
By Joseph Schubert
California State University, Los Angeles
GIVING A HOOT: BASIC COUNTERTENOR PEDAGOGY FOR THE CHORAL CONDUCTOR
by Michael Hrivnak
California State University, Los Angeles