Angela Davis: ‘The
Myth of the Black Rapist’
So far the discussion of rape has been ‘abstracted’ from race. It is an interesting question, however, whether this sort of ‘abstraction’ is possible. If rape is an example of interlocking oppression, then the preceding is an incomplete account which – insofar as it omits all discussion of race – isn’t so much ‘abstract’ as it is ‘white’.
Angela Davis provides an important analysis of the use of rape (and rape-accusations) as a form of Black oppression.
(1) According to
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(5) In the first wave of lynching of the Black men (right after abolition), the myth was not used at all. Rather Black men were lynched for the suspicion of being insurgents and conspirators. However, after the attempts of Reconstruction failed (and it was clear that there was no real danger from Black men), this “justification” lost its plausibility. Here, the Myth of the Black Rapist emerges as a “justification” for lynching.
(6) Some considerations: During the Civil War (when all of the White men were off fighting), there were NO reports of rape (involving Black slaves against White women). Moreover, most mob lynchings didn’t even involve the charge of rape at all.
****One important point is that when rape is viewed from a non-white perspective, the ('abstracted') feminist perspective that rape is inherently a tool of oppression against women is render very problematic. Given the history of false rape accusations against Black men, it seems that so-called ‘perpetrators’ were not perpetrators at all. It seems that the whole issue of rape involves multiple dimensions. A Black woman may have more to consider if she is raped by a Black man. How does the charge of rape only serve to promote further racial injustice?
Further Reflections: One of
It is also worth nothing that one of the main myths that help obscure date rape is the belief in ‘Real Rape’ (i.e., the belief that most rapes are committed by strangers). Statistically, most rapes are committed by acquaintances.
Questions: To what extent is the Myth of the Stranger Rapist of a piece with the Myth of the Black Rapist? To what extent is the frightening ‘stranger rapist’ (in the White imagination) a ‘Black rapist’?