Arran
Stibbe, Ph.D.
Chikushi
Jogakuen University, Japan
Volume
6, Number 2, Summer, 2001
And
yet, in Britain, despite being a nation of animal lovers with an active
animal rights movement, the war against foot-and-mouth disease has led
to the death of more than four million animals, some of who, stunned or
injured, ‘survived hours, or even days, after a slaughter operation’ (BBC
4 April 2001): without significant protest.
It is the contention of this paper that the influence of the British media, in the cognitive structuring of the virus in the minds of the population, is the crucial factor justifying what Freedland (2001) calls the ‘collective madness’ of the mass slaughter.
The
paper results from the analysis of the ideological metaphors contained
in a 200,000 word corpus of news reports about the foot-and-mouth crisis
gathered from 4 national British newspapers, transcribed BBC news reports,
and the Farmer’s Guardian. These were collected mainly from on-line
archives from mid February 2001, when the disease first appeared, to the
end of May 2001 when the number of new cases started trailing off. At the
time of writing (September 2001), however, there are still new cases of
the disease reported every day, with no end in sight.
Metaphor
is one of the structures which forms social cognition. Indeed, according
to Lakoff and Johnson (2000:118), ‘everyday thought is largely metaphorical’.
When the metaphors embedded in discourse act for the interests of
the group which uses that discourse, and against the interests of
other groups, they could be called ideological metaphors.
Ideology
in the foot-and-mouth ‘crisis’
The
cognitive structures used internally within these two powerful groups determine
the strategies they adopt for dealing with the disease. Representatives
of the groups include the president of the National Farmers Union, the
Prime Minister, the agriculture minister, and government appointed ‘experts’
such as the chief vet and chief scientist, selected primarily because their
opinions coincide with the government. These representatives have privileged
access to the media, since they are the ones journalists rely on for the
quotations and information which make up news reports (Fowler 1991). This
allows them to spread the cognitive structures used within their group,
including ideological metaphors, to the wider population. The more society
at large uses the same metaphors in their thinking process as the government,
the less likely they will be to oppose the actions that the government
is taking.
With
the army involved and mass killing going on it is possible to lose sight
of the fact that the ‘war’ is a metaphor, a cognitive way of structuring
the complex domain of the disease and its economic consequences using the
simpler domain of war. The virus has been constructed as the enemy, a ‘formidable’,
‘powerful enemy’ (Independent March 19), which ‘attacks cattle,
pigs, [and] sheep’ (Telegraph Feb 22). However, those who are ‘in
the frontline of the battle’ (Guardian Feb 25) do not have the virus
in their sights. Instead, their targets are the very same cattle, pigs
and sheep who are being ‘attacked’ by the virus.
The
disease could, alternatively, have been dealt with non-metaphorically,
i.e., as a disease, and treated by caring for sick animals (who recover
after a few weeks), vaccinating susceptible animals, and letting natural
immunity take its course. But, because of the war metaphor, vets have taken
on a new role in the crisis, killing rather than curing animals. One vet
is ‘keen to make a contribution to what resembles a war effort’ (Independent
March 21), while the vice-president of the British Veterinary Association
is calling for ‘a professional Territorial Army of vets’ (Farmer’s Guardian
May 25).
So
why is a war metaphor used? One reason is that war provides a means for
the government to appease the farming lobby by placing themselves in the
position of ally, and focusing attention on a common foe. The agriculture
minister, Nick Brown ‘told farmers in Devon that the Government would ‘fight
shoulder to shoulder with them to defeat the epidemic’ (Telegraph
March 27). When relations became strained he told the farmers ‘The war
we should be fighting is against the virus. To be fighting each other is
a ridiculous thing to do’ (Telegraph March 16).
The
reason farmers, particularly those whose farms are not in immediate danger,
support the war metaphor is that they want the disease stopped before it
arrives on their farms
and causes reduced productivity and inconvenience in terms of looking after
sick animals. And they want it stopped fast, avoiding vaccination ‘at all
costs’ (Farmer’s Guardian April 20), so that they can sell their
meat abroad at premium prices.
War
metaphors justify taking drastic action to achieve these financial goals:
‘As a military man, [Brig Birtwistle] knows the importance of precise planning
and tough action to achieve what he has described as “an apocalyptic
task”’. (BBC 29 March emphasis
added). The military, through their involvement alone, embody and entrench
the war metaphor.
Roger
Ward, of the National Farmers Union, directly invokes the war metaphor
to justify killing animals on uninfected farms:
In
any war when you’re fighting an enemy, and the virus was the enemy, there’ll
be innocent victims. That’s very regrettable and one’s heart goes out to
those farming families that have had their livestock destroyed. (BBC News
11 May)
Notice
that the ‘innocent victims’ here are not the animals, but the ‘farming
families’. Three days later the BBC says, ‘Farmers are the obvious victims
of the outbreak of foot-and-mouth’ (BBC March 14), and in nearly all the
other materials examined it is farmers, rather than animals, who are presented
as victims. This is related to the cognitive structure involved. The cast
of characters in a war scenario is ‘a villain, a victim, and a hero’ (Lakoff
1991). The victim is the farmer, the villain is the virus, and the hero
is the government. Animals are not structured as victims in this scenario
because the army cannot be ordered to kill ‘innocent victims’.
Animals
have become the targets of the killings, which is a role usually
reserved for the villain. There are some attempts to portray animals as
the agents of the virus, where ‘suspect sheep’ (BBC 16 March) are ‘harbouring
the foot-and-mouth virus’ (Telegraph March 17), and ‘spread[ing]
the disease’ (Telegraph March 23), but these attempts are half hearted.
There is no talk of ‘dangerous carriers of the disease’ or the like, because
it is hard to make a sheep with a flu-like virus play the role of villain.
This leaves animals with no role within the war metaphor.
Instead,
the fact that the animals are the ones being killed in this war is hidden
through the language used. Instead of ‘killing animals’, a variety of euphemistic
metaphors are used. The BBC (May 11) talks about fields being ‘cleared’,
while in the Times, animals are ‘lost’ (Feb 21). In one article
in the Farmer’s Guardian animals are ‘taken out’, ‘eliminated’,
‘removed’, and ‘disappear’ (Farmer’s Guardian March 23).
The
animals are disappearing, certainly, but only from the discourse surrounding
foot-and-mouth. When words like ‘kill’ or ‘slaughter’ are used,
the animals themselves are often simply left out, as in ‘slaughtering out
the
infection’ (BBC April 30), ‘culling his farm’ (BBC March 29),
‘kill out only where the disease strikes’ (Farmer’s Guardian
6 April) (emphasis added in each case). Even during their own funeral animals
are made to disappear when the Telegraph (Feb 26) speaks of farmers
who saw ‘their livelihoods thrown on to the bonfires…[and] watched the
cremation without ceremony of their livelihood’ (Telegraph Feb 26).
All
of these ways of taking animals out of the picture hide the fact that within
the metaphor of war animals are implicitly being made to play the role
of enemy soldier. This role is made explicit only in the few voices of
opposition to the slaughter policy that reach the press. George Monbiot,
of Greenpeace, talks about ‘the government’s declaration of war with Britain’s
sheep’ (Guardian March 29), and the ecologist Vandana Shiva writes
that ‘paranoia…is moving the military might of Britain to declare a war
against its hoofed inhabitants’ (Guardian April 4).
Eventually,
when the virus is eradicated, the war metaphor will allow the government
to claim ‘victory’, even if there are no more animals left to catch the
disease.
In
the forest fire metaphor, animals are taking the role of trees, with those
‘animals in the line of spread sacrificed’ (Farmer’s Guardian March
9). It is an unfortunate fact that in a forest fire some trees must be
burned as a fire-break in order to save thousands of other trees. However,
in the case of a fire, the thousands of other treeswould otherwise
be
consumed and destroyed by fire. In contrast, in the case of foot-and-mouth,
animals become ill for a few weeks before recovering. Fighting fire with
fire is the metaphor, but in reality this means fighting a mild animal
illness with mass slaughter.
The
fire metaphor also allows the government, in the form of the agriculture
minister, to claim that foot-and-mouth has been ‘contained’ and is ‘under
control’ (Telegraph March 12) in the run up to an election, although
the Independent (March 22) asks ‘In what sense, precisely, is it
under control?’
Predominant
cognitive structures can be challenged, however, as can be seen in the
occasional voices of opposition to the government appearing in the newspapers.
The war metaphor is made to seem absurd when it is pointed out that ‘The
blitz has been equated with 1,500 cattle becoming mildly ill’ (Independent
April 29). However, new metaphors are required, metaphors which structure
the disease in a way that recognizes that the only crime the animals have
committed is having blisters in their mouths, not being able to eat for
a while, and therefore providing less meat for the farmer who will eventually
kill them.
Foot-and-mouth
disease is a mild, non-fatal illness. However, through ideological metaphors
dispersed through the media, the illness comes to be construed as a deadly
virus, a virus which must be fought and stamped out, in all circumstances
and at any cost. This leads to the immediate killing of any animal which
has the disease, and ironically, the cognitive structuring itself results
in a relatively harmless illness, foot-and-mouth disease, being made into
a truly deadly disease.
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