School of Arts and Letters 
Department of Communication Studies/Broadcasting

BROADCASTING 401
Advanced Video Production
FALL 1999

Fall 1999
 Alan Bloom: Professor
 Monday and Wednesday
 Office: Music 206
 Lecture M 12:40-3:40 PM Music 259
 Office Phone #: (323)343-4209 Email: abloom51@aol.com
 Labs M 12:40-2:40 and 2:40-4:40 PM Music 200
 Office Hours: 
M 11:30AM - 12:20 PM & 
3:40 - 4:30 PM
W 4:50 - 6:30 PM

 

Congratulations to former BCST 401 students Edgar Yanez and Matt Gatlin, our 1999 CSU Film and Video Festival winners. Edgar took home Honorable Mention (second place) plaques in the Narrative and Music Video categories and Matt won the first place award in Music Video and Best In Show for the top film or video of the festival for his Music Video entitled "Rhapsody." For his First Place and Best In Show awards Matt also received $1000 in prize money. Ed's award in the narrative category was for "The Wastebasket," a Fall 1998 BCST 401 Project and Matt's music video "Rhapsody" was originally a Winter BCST 401 editing exercise. The festival, held each year as part of the state wide CSU Summer Arts program, showcases the very best in student film and video from all of the CSU systems 23 campuses. Matt and Ed's three awards for 401 projects account for more than 20% of the total for the whole state and our department was responsible for 20% of all the finalists and 25% of all award winners state wide. Congratulations as well to Jeff Curtis and Marc Tejada for taking second place in the narrative category at the 1998 CSU Film and Video Festival with their Winter 1998 BCST 401 project "The Adventures of Dairy Boy."


Course Text: Herbert Zettl, Television Production Handbook, Wadsworth Publishing Company, Belmont, CA 1997, Sixth Edition.

Course Description: Advanced video production with emphasis on the production of finished broadcast quality video programming (drama).


Course Objectives:

1. To produce and direct quality dramatic video productions with a realistic understanding of resources, capabilities and goals.

2. To gain experience in the planning and execution of professional video production.

3. To function in a crew position contributing as a team member to the completion of projects.

4. To understand the pre-production, production and post-production processes in video production.

5. To engage in critical self-evaluation as it applies to one's work on one's own project as well as one's work on other projects.


COURSE PROCEDURES:

1. Each student will complete assigned camera and editing exercises.

2. Each student will produce a video shot and edited in camera and a production report.

3. Each student will participate in various crew positions on other students' projects.

4. Each student will hand in a finished final video project and completed production report.

5. Each student will complete the four production/editing assignments as part of a two person team (teams will be set up at the start of the quarter).

6. Each student will take the final exam.

7. Each student team will manage their own screening and critique sessions in front of the class for each completed project.


COURSE REQUIREMENTS:

NOTE: Students are expected to demonstrate a positive and healthy attitude at all times. Students must demonstrate a willingness to accept criticism as part of the ongoing creative production process.

1. Productions: Students, in two person teams, must plan and shoot two projects during time scheduled, utilizing as crew the members of the class. The first is a project of no more than 180 seconds in length to be edited in camera. The second is to be no longer than 180 seconds and is to be edited from no more than twenty minutes of raw material (these may be shot on any format and edited on campus in either S-VHS or VHS). In addition, each team will be responsible for completing an assigned camera and editing exercises.

2. Scheduling: Students will be scheduled for editing and shooting on all projects. While equipment (S-VHS camcorders, tripods and lights) may be checked out during the assigned production weeks the professor strongly advises you to have outside access to a camera. NOTE: you will be held financially responsible for any missing or damaged equipment. Each team is entitled to no more than 8 hours of editing time per project.

3. Crewing: All students are required to seek out crew positions on other 401 student projects and all student projects are required to have at least one non-team crew member. Crew credit is limited to three extra people in the field and one extra in the editing room. Students will receive points for each position served on another student's project. These points may not total more than 10 points toward the student's final score and will be based on a curve of overall participation in the class.

4. Production Reports: All students are required to complete a Production Report (see attached question form) and hand it in one week following each of their finished projects. These reports must be typed (double-spaced) and presented in a report cover. WARNING: Treat these assignments seriously -- they count for a significant percentage of your grade and should be considered as important as term papers (reports of less than five pages will receive reduced credit).
 

5. Tape: All students are expected to purchase video tape for their projects. All projects must be handed in, on the final day, at the end of the quarter, on clearly labeled T-120 cassettes. Both cassette and cassette case must have a clearly and cleanly typewritten label with the following information indicating:

1) Project title, Date of completion;
2) Project length, Number of audio tracks (1 or 2); and
3) Name(s) of director/producer.

On this tape the students will provide finished copies of all their projects with the standard pre-roll of bars/tone, slate (CG) and beep count (10-3 sec). At the conclusion each tape the student will record "copyright 1999 CSULA" and a complete list of credits. These tapes (due at the final class meeting) will be kept on file for 1 year after the completion of the course after which time the student may reclaim it.

6. Team Work: Students are expected to work on all of their assigned projects as part of a two person team. Responsibilities must be shared. All creative and personal differences must be worked out amicably outside of class. Problems and conflict between team partners have no place in the classroom, these issues and your ability to deal positively with them is a measure of your maturity and professionalism. If these problems intrude into the classroom environment it will be weighed against your final grade.

7. Critique Sessions: Each team will present their completed projects to the class at critique sessions on days assigned by the professor. You are expected to be on time at the beginning of class on your assigned screening day (lateness will carry a penalty to be levied against your score on that project). All students are expected to display an open and positive attitude at these sessions, to participate fully and welcome criticism from their classmates and professor.

8. Required Reading: Herbert Zettl, Television Production Handbook, Wadsworth Publishing Company, Belmont, CA 1997, Sixth Edition.


GRADING SYSTEM:
 
Attendance: Because of the nature of this course, attendance is mandatory and unexcused absences will lower your grade. Every student must attend appropriate lab class periods (as assigned in the course outline). Lateness will be recorded and will be weighed in your final grade. An unexcused absence from a lab project will result in the lowering of your final grade ONE FULL point; e.g., a 90 will become an 89. Final student total scores will be graded on a curve.

Scores on specific assignments will be awarded up to a maximum as follows:

GRADING SYSTEM:
General Class Participation 15 Points
Camera and Editing exercise 20 points
Project one and a report 20 Points
Project two and a report 25 Points
Crew Participation 10 Points
Final Written Exam 10 Points
 
Missing Productions and Assignments: If a student misses their assigned time for tape screening for either of the two production projects and is not excused prior to the screening date by the instructor or if excused by the instructor and there is not an alternative screening date available, this will result in a failing grade for that project and the course. Failure to complete any assignment will constitute failure in this course.

Note: The instructor reserves the right to change the course outline or course requirements due to class size or students' needs.


 COURSE SCHEDULE AND ASSIGNMENTS
September 27 Lecture
Welcome to course and introduction to class requirements.
Read Zettl Chapters 3, 4, 5, 6, 8, 9 and 10.
September 29  Lab
Remedial Editing Workshop
October 4 Lecture
Production Ideas and Strategies. Camera/Lighting for Field Production and Camera Evaluation. Personal Intro Camera Exercise Due.
Read Zettl Chapters 11, 12, 16, 17, 18, 19 and 20.
October 6 Lab
Remedial Editing Workshop
October 11 Lecture
Group 1 & 2 In Camera Exercise
October 13 Lab
Group 1: Editing Exercise
October 18 Lecture
Group 1: Editing Exercise Screening and Critique
October 20 Lab
Group 2: Editing Exercise
October 25 Lecture
Group 2: Editing Exercise Screening and Critique
October 27 Lab
Group 1: Project One Shooting
November 1 Lecture
Group 1: Project One Screenings and Critique

 
November 3 Lab
Group 2: Project One Shooting
November 8 Lecture
Group 2: Project One Screenings and Critique
November 10 Lab
Group 1: Project Two Shooting
November 15 Lecture
Project One Post-Mortem and Production Strategies
November 17 Lab
Group 1: Project Two Editing
Group 2: Project Two Shooting
November 22 Lecture
Group 1: Project Two Screenings and Critique
November 24 Lab
Group 2: Project Two Editing
November 29 Lecture
Group 2: Project Two Screenings and Critique
December 1 Lab
Groups 1 & 2: Finish Production Package
December 8 

10:45 A.M. - 1:15 P.M.

Exam: all students. Final Projects, Crew Critiques and Tapes Due