Effective
Characters Are Credible:
Characters must believably handle the
situations in which the story places them. They must
also have realistic weaknesses. Don't make them too
perfect. Be willing to step back and see their human
frailties. This is the only way audiences would
identify with them.
Effective
Characters Are Unique and Individualized:
Effective characters are unique,
complete with their own actions, speech, movement,
rhythm, dress, values, and style. From physical
characteristics to attitudes, to dominant traits, make
your character different from all other characters and
from ordinary people in real life. Tag your character
with some unique eccentricity.
Effective
Characters Have A Strength:
Characters must have strengths,
whether physical, emotional, intellectual, or spiritual
to be able to involve us and carry the drama of the
story.
Effective
Characters May Be Ambiguous
There's often a certain ambiguity
about effective characters. Just as with real people,
there's a sense of mystery, of an unknown area. This
touch of ambiguity leaves room for the audience to
project our own feelings and motivations onto the
character.
Effective
Characters May Have Intrinsic Conflicts
Give your character conflicting
values and objective to make them more interesting.
Effective
Characters Invite Audience Identification.
- Make Your Characters Sympathetic-We care about
characters we feel sorry for. Audiences sympathize with
characters suffering unwarranted physical, mental,
emotional, or social distress.
- Make Your Characters Likeable-A character who
rescues a cat from a tree in the first act is someone
we're going to like.
- Make Your Characters Quirky-We like quirky,
offbeat characters who follow their own drummer.
- Make Your Characters Funny-We like characters who
are funny, and who don't take themselves seriously.
- Make Your Characters Attractive-We like to see
characters that are attractive-not in the sense of being
glamorous, but in having qualities that attract us to
them. They should be special, interesting people who
are grappling with life in interesting ways.
- Make Your Characters Charismatic-We get involved
with characters who show charisma-a forceful, winning,
quality of leadership. Charisma can also be used to get
us involved with less likable characters; we may dislike
them, but we admire the power they convey.
- Make Tragic Flaws For Your Characters-Another way to
handle unappealing characters is to show us their tragic
flaw. We like to see them trapped by their nature-their
ambition, greed, or ruthlessness driving them
relentlessly to self-destruction.
- Provide A Moment of Self-Disclosure For Your
Characters-A useful technique that often appears later
in a script is the moment of self-disclosure, a moment
of vulnerability when the character's innermost feelings
are expressed. Don't place this moment too early. It
should come when we know the character well enough to
accept such a disclosure.
COMPOSING CHARACTERS:
Names:
A name should fit your conception of
the character. Names also conjure up images. They are
often used to suggest a certain concept.
Photographs:
Look through magazines for
photographs of peopled who approximate your character's
looks. Each time you sit down to work, stare at the
photos. They now have faces. When you think of them,
you see their expressions pain, anger, love, fear,
obsession.
Knowing And
Researching:
Characters based on people you know
are more likely to seem real. So write characters based
on real people you know. Research is another way to
better understand a character-to uncover the small
details that add originality and credibility to a
character.
Character
Biographies:
Work on the character's biography,
work on their past, present, and future, their family,
what they want, what they care about, what need,
personal attributes, physical characteristics, etc.