Roger Wagner Center | CSULA

INDEX OF RESEARCH PAPERS

The following research papers are currently on this web site. To find out how your research paper can be posted here, please see:
How to submit papers for publication consideration

Authentic and Socially Relevant, Transformative Performance Practice: Multidimensional Presentation in Choral Music
by Janine Dexter
California State University, Los Angeles

COMMON MISCONCEPTIONS IN THE PERFORMANCE OF IGOR STRAVINSKY’S MASS FOR MIXED CHORUS AND DOUBLE WIND QUINTET
by Garson Olivieri, July 2007
California State University, Los Angeles

MANNING BRITTEN’S A BOY WAS BORN: BOYS’, GIRLS’ OR MIXED CHILDREN’S CHOIR?
by Will Skaff, July 2006
California State University, Los Angeles

ABSOLUTIST CREED VS. NOSTALGIA: STRAVINSKY’S SETTING OF FOUR RUSSIAN PEASANT SONGS
by Desiree Fowler, August 2009
California State University, Los Angeles

"WHEN DAVID HEARD": THREE SETTINGS
by John Hamilton, August 2005
California State University, Los Angeles

THE EFFECTS OF THE REVOLUTION ON THE ORGAN MASS IN FRANCE
by Laurie Barrett-Benson
California State University, Los Angeles

TRADITION AND INDIVIDUAL STYLE IN THE MOTETS OF J.S. BACH
by Natalie Beck
California State University, Los Angeles

THE SPIRIT OF FOLK SONG IN THE LIEDER OF JOHANNES BRAHMS
by Sally Horgan
California State University, Los Angeles

RICHARD LERT'S EDITIONS OF SAUL: A ROMANTIC PERSPECTIVE
by Robert McCormac
California State University, Los Angeles

MUSICAL EXPRESSION IN SELECTED TEXTS FROM BENJAMIN BRITTEN'S WAR REQUIEM
by Ruth Ballenger
California State University, Los Angeles

AUTOBIOGRAPHICAL CONSTRUCTIONS IN JOSQUIN'S MOTET ILLIBATA DEI VIRGO NUTRIX: EVIDENCT FOR A LATER DATING
by Leslie Clutterham
California State University, Los Angeles

A CHRONOLOGY OF THE TREBLE VOICE IN CHORAL ENSEMBLES (England - Part I)
by Leslie Clutterham
California State University, Los Angeles

STYLE ANALYSIS: A COMPARISON OF BYRD'S AVE VERUM CORPUS WITH HIS SACRED VOCAL POLYPHONY VIA A QUADRANT FRAMEWORK ANALYSIS
by Leslie Clutterham
California State University Los Angeles

BRAHMS' CHORAL MUSIC AND HIS JOURNEY TO CONTRAPUNTAL TRANSCENDENCE
By Joseph Schubert
California State University, Los Angeles

GIVING A HOOT: BASIC COUNTERTENOR PEDAGOGY FOR THE CHORAL CONDUCTOR
by Michael Hrivnak
California State University, Los Angeles